![]() |
![]()
|
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
One of the art forms in which Marot excelled is the epistolary art: sometimes
the way he plays with distance and proximity (familiarity) is breath-taking,
esp. when the King of France is concerned and Marot is in trouble. Some
epistles with Dutch imitations
|